Last week a group of publishing folk, moonlighting as humanitarian aid workers, invaded Cuba. We spent the week in Havana and its environs and – because it was the 10th Havana Art Biennial – found ourselves immersed in a vibrant city-wide exhibition that focused on third world and Latino artists. Havana is a mass of
Cuba is (not) book country Read more ›
Much has been written about this year’s SXSW Interactive Festival in Austin, where game developers rubbed shoulders with web marketers, and the publishers that attended were confronted at one panel by exasperated authors and bloggers. But now that the bytes have settled (or healed, as the case may be), what are the useful takeaways? Most
SXSW Interactive 2009 Read more ›
Book publishers–and agents–are scarce at SXSW’s Interactive Festival, and when they do show up, they’re not always treated with love and respect (see Booksquare’s “New Think? Not So Much”), but at worst it’s a love-hate relationship between the digital crowd and the page turners. At best–and there is a bright side–it’s because this crowd (about
Book Publishers Are Scarce at SXSW Read more ›
For those of us who are in the business of keeping abreast of industry trends, this week will rank as one of the busiest, filled with all manner of diverting events. It started tamely enough with the American Book Producers Association‘s annual conference, which had actually been moved from the end of last year to
From Production to Interaction Read more ›
On the final day of TOC, Tim O’Reilly gave his keynote, following on the heels of the inventive Nick Bilton from the NYT’s R&D labs. (Bilton created the interactive website for David Carr’s book.) Much of what he discussed was focused on the topic that was subsequently addressed at the next session, where a group
TOC: The Narrative Is Changing Read more ›
